opengate

The placeless country

Via io9 this week, a collection of 1920s posters advertising the London Underground. The images are worth a browse; they’re all entertaining in their own way, but I was drawn, of course, to the few promoting access to the delights of the country.

I will admit that despite my suspicion of everything institutional I love the posters of that era — the World War I propaganda, the gleefully innocent embrace of modernity, the WPA style of the 1930s. The best of them were so stylized as to evoke a kind of magical reality divorced from the real one: lovely to behold, useful in advertising, dangerous in the real world. In this collection the Underground promises access to the wonders of the city. There’s a five senses series about seeing, hearing, touching, smelling, and tasting the riches of London; there are invitations to go shopping and a pair of dreamy images of summer days and summer nights.

Others make clear not all is well within the city limits. Here the Underground is “the open gate that leads from work to play,” a passage away from a blocky, smoky, smoggy city to a sweeping dance of playful children:

opengate

The children are nearly faceless, cloud-white with golden outlines as one might draw angels. A vision of heaven, perhaps, in a park.

Go further and the city disappears.

The interview did not go as planned

She rides ahead and would head off
His maverick thoughts, guiding them to sensible
Corrals — but stubbornly they canter,
This one to its mother, that to the river’s cool
Repose, each in a time and place its own.
He will speak his piece.

Public space and ignorance

This story seems, at first, like a classic tale of the little guy fighting the big mean corporation. A group of Korean seniors was tossed out of a New York City McDonald’s they had turned into a hangout:

Mr. Lee said the officers had been called because he and his friends — a revolving group who shuffle into the McDonald’s on the corner of Parsons and Northern Boulevards on walkers, or with canes, in wheelchairs or with infirm steps, as early as 5 a.m. and often linger until well after dark — had, as they seem to do every day, long overstayed their welcome.

The men had, by their admission, “treated the corner restaurant as their own personal meeting place for more than five years,” and management and other patrons claim that they’re interfering with business. There are several senior centers and civic centers in the neighborhood, but the men seem uninterested in going to any of them.

If I were their age, I wouldn’t want to be cordoned off with a bunch of old people, either, any more than I want to be cordoned off with a bunch of forty-somethings now. Nothing against people in their forties, but I like a little variety. The presence of children and young adults lightens things up a bit, and I appreciate the proximity of people of people considerably older than I am. –On the other hand, taking up valuable real estate in a busy restaurant at lunchtime is at a minimum inconsiderate; the people who own these restaurants — franchisees, in this case, not the global corporation — have to make money, and the business model imposed on them isn’t such that they have a lot of wiggle room.

The problem here is not what the owner of a fast-food restaurant ought or ought not to do but that the choice has arisen in the first place, because we simply don’t have enough genuine public space — spaces where people can meet, talk, catch up, get to know one another, even just sit and rest or think without being cut off from the rest of humanity, and without their actions being watched over and prescribed by well-meaning volunteers and civil servants.

Carolina chickadee

Prayer over a dead bird

Carolina chickadee

Photo by Virginia Sanderson.

I’m pretty sure this isn’t theologically correct, but it seemed to help my daughter on our lunchtime walk today, when we found a tiny bird lying on the asphalt, crushed by a car.

Lord, please guide the brave spirit of our brother chickadee to fields that are always green and full of seed, where the insects are plentiful but not too swift, and the skies are ever clear for flying; and make us all more aware of the presence of your beautiful creatures, whatever form they may take. In Jesus name: Amen.

snow on leaves

What the snow reveals

snow on leaves

Despite preemptive school closings and dire warnings of Black Ice, only a dusting of snow fell here last night — not even enough to cover the ground. A good snow, glistening contentedly in the morning sun, reflecting the clean clear blue sky after the cold front, hides the mess we’ve made of the world and gives the illusion of purity, a new beginning — “a revolution of snow,” as Billy Collins writes:

its white flag waving over everything,
the landscape vanished…
the government buildings smothered,
schools and libraries buried, the post office lost
under the noiseless drift,
the paths of trains softly blocked,
the world fallen under this falling.

But the world was already fallen, and Boris Pasternak thought the snow’s motives less than pure, seeing rather

That snow falls out of reticence,
In order to deceive.
Concealing unrepentantly
And trimming you in white

For Pasternak, indeed, snow may be nothing more than the Altoids on the breath of an alcoholic:

Bode's star chart of 1801

Obsolete constellations

Bode's star chart of 1801

The “Apparatus Sculptoris” constellation in Bode’s Uranographia (via University of Oklahoma History of Science Collections)

Allison Meier shares a look at Johann Elert Bode’s 1801 “Uranographia,” which shows constellations representing, among other things, a printing press and a sculptor’s stand with a partially sculpted head. Until the twentieth century, she notes, “space was a celestial free-for-fall,” with constellations imagined and named and charted willy-nilly. Then the International Astronomical Union, the same body that declared Pluto no longer a planet, designated 88 official constellations, and all the rest are now obsolete.

“It’s fascinating,” Meier concludes, “to gaze back at how our visual culture has long shaped how we perceive those distant luminosities.” Not many of us today, I think, would be likely to see a printing press in the sky, though I’m tempted to look for that sea monster. But the idea that a constellation can be obsolete seems at first blush a bit silly to me; none of them was ever real in the first place, and you either see it or you don’t. But then not many of us in the West see anything in the sky any longer. Now that astrological theories of human health have been thoroughly discredited we have less reason to care. In an era of red shifts and black holes we may lack the imagination. More important, for most of us the sky is too bright. Tonight I should be able to spot Orion, the Pleiades, and… that’s about it. The rest are too dim. Maybe all the constellations are obsolete.

With so few stars to work with, we can’t very easily invent our own constellations any longer, either, even if we were so inclined. I’ve always thought of the constellations as the sum of darkness and idleness. Imagining a bear or a crab, let alone a printing press, in the chaotic infinitude of stars takes time. You have to look at those random points of light, really look, not scanning or searching, without prejudice or purpose, until — delightfully — an image appears. But how many of us are willing to spend an hour or two just looking at anything, let alone a random smattering of light? Or even fifteen minutes? We live too fast, now, to see what isn’t there. That takes time we don’t think we have. Instead we have an international body to tell us what is there, and we Google it and move on. Even the idea of constellations may be obsolete, a relic of a past age — just like that printing press. We have other, faster things now.

rubble

A lifetime’s work

rubble

A lifetime’s work reduced by lifetimes since
To a pile of stones in a ferny wood, grown o’er
With moss and vines, and gently hid to all
But those who wish to see. A gift from him
Who dwelt here once, to be now so effaced
From a hillside once his own — for now it may
Be mine, or anyone’s. Would that we
Were half so generous.

the anunciation, by Henry Turner

Not nearly frightened enough

the anunciation, by Henry Turner

The Anunciation by Henry Turner, 1898.

The angels in Luke’s gospel spend a lot of time telling people not to be afraid. Fear not, Zechariah! Fear not, Mary! Fear not, shepherds! And over in Matthew, Do not be afraid, Joseph! They remind me of a guy I used to work for, who often opened his emails with “Now, don’t panic…” When he did that, I knew I was in for it. I knew there was a but coming, and that the but was the point of the message. And that was only my boss. When an angel of the Lord appears unto you, saying fear not, you know that but is going to be a whopper, because angels don’t appear to people to tell them they forgot the milk at the grocery store.

Hey, Joe, now don’t panic, man, keep it chill, but your fiancée’s pregnant by the Holy Spirit. And look, man, we need you to marry her anyway and raise the baby as if it were your own. You’ll face scorn and rejection, but hey, no worries — everything’s going to be all right.

No problem.

Of course when an angel of the Lord tells you that everything will turn out all right, you can safely assume that it will, even if God’s standards for “all right” may not always line up perfectly with our own. And the Christmas story is so thoroughly infused with everything’s gonna be all right that we forget to be afraid when the angel appears. We jump ahead to the scene at the manger, the new baby who never cries, the mother who is not at all tired or sore, the stepfather who does not mind at all having been cuckolded by God or being forced to shelter his pregnant wife and newborn son in a barn, the shepherds slack-jawed in contented wonder, the magi safely arrived with their expensive gifts and nattily dressed entourages. We have viewed that scene so many times that we barely give it a second thought. I see it a half-dozen times just driving into town, spread out in neighbors’ yards.

The specificity of good wishes

I ran across this quotation this morning, with which I’d like to agree if it didn’t irritate me so much:

…When a festival goes as it should, men receive something that is not in human power to give. This is the by now almost forgotten reason for the age-old custom of wishing one another well on great festivals. What are we really wishing our fellow men when we send them ‘best wishes for Christmas’? Health, enjoyment of each other’s company, thriving children, success—all these things, too, of course. We may even—why not?—be wishing them a good appetite for the holiday meal. But the real thing we are wishing is the ‘success’ of the festive celebration itself, not just its outer forms and enrichments, not the trimmings, but the gift that is meant to be the true fruit of the festival: renewal, transformation, rebirth. Nowadays, to be sure, all this can barely be sensed behind the trite formula: ‘Happy Holidays.’

Josef Pieper, In Tune with the World: A Theory of Festivity (St. Augustine’s Press)

I haven’t read the book from which the passage is taken and know almost nothing of Josef Pieper, so my criticism may be less of the author than of the person who quoted him, but the jab against “Happy Holidays” seems a tad overwrought — as if a two-word cliché constituted a magic formula for the bestowal of divine grace, or were meant to be. And it fits far neatly into a certain kind of good-old-days thinking that I will admit I find tiresome. Back in the days when people wished a Merry Christmas to strangers over a store counter — say, a quarter century before Pieper wrote this in in 1999, which is just about the earliest reach of my memory — did they really have all that in mind? Renewal, transformation, rebirth? I wouldn’t venture to give people quite that much credit, even when the store counter was replaced by a folding table at my small-town church bazaar, even when they might have had the necessary theological grounding. Certainly it’s possible to pack all that meaning into “Merry Christmas,” and perhaps that’s what people ought to have meant, but I don’t believe they’d thought it through quite so carefully.

Then again, the possibility of meaning is not something to be lightly dismissed.

Advent at the Hampton Inn

A hotel lobby, a cramped wallflower table. The hesitant scuttle of broken fasts. The man-sized screen, brighter than a thousand votives, in whose light we see light: I avert my eyes but cannot elude the fast-pitch prophecy, the effervescent urge to self-improvement. Nor the smell of frozen waffles toasting, plastic syrup warming, chemistry-sweet, essence of a new creation of laboratory trees and orchids. I have, thankfully, already eaten. I sip what is called coffee. A man in a red shirt vacuums the welcome mat. I watch the door, upon whose glass is etched thanks in letters lowercase and agreeably spaced, lest the relative stridency of capitalization put some weary sojourner off her breakfast. I watch the door. Watch and wait, watch and wait. For what? For God? O Come, O Come Emmanuel! And lo, the glass is slid aside and there comes upon us a gust of wind, a brief uncomfortable chill from the parking lot that rolls over cleaning staff and the business traveler alike. The morning invades: then the door slides to, and we are once more shut tight against it. thanks